ANALOGUE AUDIO – why it’s best

• It’s a pure sine wave, full of content
• It contains MANY “stereo” channels, not just two.
• Now you too, can change how you listen.
  
  Change is good. Upload something & let us change it 4U
  Just like this..
  No I meant (just)
  
  LIKE THIS….
  Right-Click “why” & OPEN it in a new page
  To find out >>> [WHY] <<<

We are (still working on)…
The re-organizing of a few things, and will be with you shortly

But:
If your name isn’t “Shortly”, don’t worry – as it isn’t ours either.

We are still trying to include an upload area where you can upload (in private) and retrieve when altered – for a ($) fee:
Possibly it will require a USD$300 per year subscription (not likely given our extremely limited income & John’s zero one)

Thus IF is more than likely than what we wrote before..
re:
It all depends upon how long it takes to convert.
Then we will check it (by playing it through a few times)
After that will will advise of our (rather cheap) remastering costs.
Then (after you pay that fee) we will make it available for downloading, whereupon you can make as many copies of it as you desire, for whatever purpose you wish to reuse it with.
If required, we can keep a backup file (here on the company’s pc) or if you would prefer, we can delete the file/s.

Thus as we pointed out, email is best..
For posting to us, instead of trying to do it, via “this” paid yet personal website
re:
A better way to get access to the file (after payment) would be to contact us, via links given elsewhere

As for us at WSTLNZ (or for other via our FB business site at WSTL.nz
We use TRANSFORMATIVENESS as our remastering method.
This transforms normal stereo from the way it was released:
Being it’s (Frontal-Only) “Left+Right” 120 degree separation.
Changing the way it is heard, by switching it around sideways
This creates, a totally different “sound” than what people are used to, by playing the unheard content hidden by stereo 2ch.

With a completely new format – audio still plays via L/R stereo
As both Height & Depth, in a Front+Back dual-channel MONO.
Fed into a specially designed “Vertical.Stack.Array©2024”

PLEASE head back (upstairs) and click the >> [WHY]<<< in a new tab .. to hear audio we have transformativeness altered.

The result will astound you, as there is no need for any other speaker emplacement in the room, or if desired, one half of the speaker tower can be positioned at one end of a long hallway, with the other half of the tower – at the far end.
Although running a cable (even a standrd electrical cable of suitable current carrying capacity will do, to place your ols stereo speakers at each end of a long hallway as “lets face it” what else are you going to use, that “drum of electrical cable” that just dropped out the back of that contractors van?
Read this and weep, if you have just bought some VERY expensive “oxygen-free speaker cables – at a very high price?

https://nassaunationalcable.com/blogs/blog/speaker-cable-vs-regular-electrical-cable-is-there-any-difference

Ok following on (now that the Sparkie is satisfied over that).

The effect to stretch the audio as if the MONO was playing down a long pipe, means just that, it will sound as if both ends of the pipe have a different version playing, but along the pipe, it merges into & of itself, blending superbly as MONO.
No sweet spots, no lost audio, just 100% of the original audio content, but “placements” of instruments and vocals like, in the heard result will self-position along the hallway, allowing you to “walk through” the surround sound effect as if on stage

Being a MONO speaker system, using as many speakers as will fit (between the floor and the ceiling) – these are simply “mirrored” with respect to each other’s position inside that one a single (tall) “Dual Mono – 3way 3ch 3D Tower Cabinet”

EACH “mirrored” section is a MONO channel, with the other mirrored section being the other MONO channel, in the array.

HOWEVER these 2 channels, MAY appear 180 degrees apart
When played however – they are ONLY 90 degrees opposed.

As they are no longer BOTH frontal channels (in basic stereo).
There is a Frontal ch. at RHS side, & a BACK ch. on the LHS.
You get R=HEIGHT instead of R/L width, with L=Lower Depth

Instead of deploying two speakers a set distance apart, you can now “sit” all speakers directly on-top-of “each other”.
Creating a dual-channel MONO “vertical-stack-array” cabinet
Out of any paired speakers you can find, making sure to NEVER underate the impedances for the total circuits on either channel, which should be between 4ohm to 8ohm a side

AT THE AMPLIFIER’s ACTIVE OUTPUTS, not at each speaker.

ALL 100% is heard (50% in one ch. & 50% goes into the other)
Allowing two signals for a SINGLE mono, depending only upon the placement-position of the dual mono “vertical stack array”

Or you can use separate speakers placed an entire room apart
Place one in a corner, & the other goes in the diagonal corner.

ALL speakers below the midway point are LOW positioned
In other words, they use the old LEFT channel for that circuit.
At a position BEHIND where you would hear the lead singer
With those speakers ABOVE the mid-height now referred to as HEIGHT speakers, driven by the amplifier’s original RIGHT ch.

Which is where the lead singer should be placed when staged

When placing your own speakers as if UP, in a stack too
This gives a set single position MONO speaker, yet it not only has HEIGHT, but depth. PLUS if summated, a general purpose (center) speaker will provide a 3D image, as a 3rd ‘virtual’ ch.
Or convert the old sub speaker – into it’s former general usage

In other words, you get 100% (+) of the original content.
Not the (commercially available) normal stereo’s 57.7% thereof

This CENTER image will in fact compliment both the height & the depth channels by providing the HARMONICS of the other two channels. A SOUND THAT HAS NEVER BEEN RECORDED.

At the moment – this site is still in the process of happening..

So:
Now – http://www.WildFMRadio.com will be coming here, even before we get the “private block” upload area (created) for individual signed-in customers. I mean subscribers?

You can still subscribe, it’s just that we won’t blast you with daily, weekly or even yearly updates, until we have something worthy of updating you about, so you are welcome to subscribe, in case later on, we do a “hose been here the longest – to see who can remember when WE recorded them as having a login to begin with? Dated, you can be sure of it.

However, maybe we should simply – GO PUBLIC & publish this.
Oh DaRn …!!!!! I have…

This is starting to do my head in, so lets listen to some that are fully converted via transformativeness samples shall we

The videos may take time to “load” but the player controls will (eventually) be seen:

For example: Someone else decided to “do a cover version” – of an old classic from years ago.
That we (just) simply HAD to do a remaster thereof:
It’s a NEW LOOK, of a tallish cabinet we’d like to start producing, showcasing the power of 100% content.
Yet still able to be played, on old-school 2ch stereo systems
Showcasing our NEW (MONO) Dual Channel speaker format
via our Analogue 2ch (MONO) “Vertical Stack Array”©2024
Analogue 2ch (MONO) Vertical Stack Array©2024 WSTLNZ™ – 1729218122474.mp4
The sound – that is (definitely) NOT that – of “Silence”.
Yes it’s Chris Rea but NOT in any format he has ever released, so it cannot be a COPY.
It has been reformatted to play VERTICALLY yet an play horizontally equally as well,UNLIKE normal stereo recordings, that soundOK horizontally – across a defined space, yet sound disjointed and crappy when one speaker is atop the other..

Yes – there is a MAJOR difference in these two formats, one commercial and the other is absolutely unique
ONE is a digitallyaltered 2ch stereo, which everyone hears on FB & YouTube, the other, inside our reformatted TRANSFORMATIVENESS altered and completely remastered, is our own format.
Here we just ask you to HEAR what we have done to sound:
Chris Rea (heard differently, via our own “Tansformativeness reformatting” as well as a general remaster of his original).

Just a couple inside here, to twist the ears “up & down”.!!!
https://1drv.ms/v/c/81849c4b0d2c38f2/EfI4LA1LnIQggIEccQAAAAAB9RoWri0ZJcJtYiRd-gVekg?e=rCqw71

P.S:
Using two completely different channels (one above the other) in our “Vertical.Stack.Array©2024” – you can “hear” some similarities between these – yet cannot obtain a SWEET spot, nor any “dead spots” as neither channel is on the same sine wave pattern as the other, hence neither one interferes.

Such as when listening to any totally transformativeness reformatted remaster, done for you here. (to hear)
Click anywhere on the picture immediately below, to HEAR what it would sound like – if it was at your place

Done long ago – for YouTube (Terri Gibbs – Ashes to Ashes).

++++++++++++++++++++++++++++++++++++++++

NOW, as it is NEARLY Christmas, go here, hair or heir?

Or, go HEAR, all 100% of THE ANALOGUE CONTENT, being the 50% TOP section of my multiple channel (DUAL-MONO)
“Vertical Stack Array©™2024”, by QUIX4U™ = containing all
of the original 50% MONO portion, of the 2ch stereo’s L+R combo’s own 120 degree 57.7% ( front content) – however.
…
This Multiple Speaker “stacked” Tower, has something special
…
It also CONTAINS all of the previously UNHEARD (un-playable) 42.35% which pulsated VIOLENTLY “directly between” the 2ch L&R speaker positions, via duo of mutually bonding anti-phased signals of EXACTLY the same sine waves, but at 180 degree orientation to the “sine wave” produced by the other speaker, into and out of which this “doubled” 42.3% became a raw but silent TSUNAMI of AC power, instead of audible RMS content, from 84.6% of SILENT FORCE that kills 2ch speakers

The video cannot be directly uploaded into this (not free) Paid site, so as I can only post LINKS from my YouTube QUIX4U channel, or from my http://www.QUIX4U.co.nz “web-page” at Facebook – what inventive way can this KIWI upload videos I made, specifically for this informative inventor’s Website..?

Hmmm
Ah.
~~~~~~~~~~~~~~~~~~~~~
Yes, the Kiwi “knows”, that there IS a workaround.
Hair, and heir, as well as HERE- you too can actively HEAR

When you hear…
This.
Via the sound behind the picture (above) of all four sides of our prototype “Vertical-Stack-Array©™2024” tower unit.

100% of all audio content, from any 2ch stereo music, which has been REFORMATTED after being “played-through” my 1965 DEMUX device, whereupon I can REMASTER all of that 100% content, OUT to place it TOP & BOTTOM in HERE 4U

This (Dual-Mono) “Vertical-Stack-Array©™2024” Tower Unit
Invented & designed by QUIX4U™ (myself), for playing this
Top & Bottom Analogue 3D Format – of mere MONO sound..

Oh & I spun the tall ceiling to floor speakers “picture” around, as one would do to any vinyl record, on a disco turntable, all whilst the remastered music HITS YOU full in the face, for the 1st time, the 2nd time & how many “other times” you play this.

So….
Here is written, my analogy of what I discovered in 1965
And WHY it works so well with ANY stereo 2ch music.!!!

From my earliest beginnings of simply “playing” music on my sister’s wee portable turntable with her 7″ 45’s & 12″ 33’s, as well as my late Mum’s extensive collection of 12″ 78rpm’s

It was from there that I started “fiddling with how I played” music, initially just “playing these at various speeds, (16rpm, 33.3rpm, 45rpm & 78 rpm), as they ALL sounded different at various speeds, and ALL sounded totally different – when I wired the turntable, to “spin” the other way – until I pulled a reel-to-reel portable unit, out of the dump along with a box that had reels with old music on it,
(that sounded exactly like all the waltz type music they used to play, out of the loud mono PA system up at the announcer’s pillbox, atop a rock at the Lower Manorburn Dam’s three ponds, which were natural outdoor lake rinks, which froze over every winter during the 50’s and 60’s).

So, even back then when tape splicing was the only way I could remaster anything…

The reel-to-reel reversible 7″ 3/8th inch stereo tapes began ..
to change the way I played (with) any altered music thereon.

Thus I have come full circle, from my DJ days as a disco operator, in the 1970’s to an industrial electrician in the 80’s and a patented inventor in the late 1990’s, always prototyping, &/or selling various forms of the same surround sound system, that I had invented away back in 1965…

I eventually created a massive 88 speaker 25.7 surround sound system (a few years ago now), just to hear what it sounded like, & film it on my mono cellphone for my QUIX4U YouTube channel, which has had way too many other video topics added over the years – seen via http://www.L84DNR.co.nz.

Anyways, after my most recent mishap, of “losing a foot and lower leg” my days of lifting heavy speakers, or installing cabling for electric and/or audio systems, or the crawling around in attics, as well as underneath floors, has all ended.

The wheelchair is a bit of a nuisance in all those conditions.
So I reinvented my WHEEL of surround sound circuits, to come fully around back too ..

Yeah well not quite “around as my around system itself… eh?

As:
After much work, and of pulling apart some tunes, to REFORMAT them for a completely different “player” and speaker set, to use, in my own “completely different format” …

I have remastered it all (all 100% that is), and NOT just a commercially “available” 57.7% heard content thereof, but ALL 100% of the original content – meaning that there is NO silent path, between 180 degree opposed sine wave signals, that USED to fiercely oscillate between the R & L speaker cones, (eventually destroying them) as it is in fact “contained” within the confines of the NEW FORMAT required to drive these multiple speakers within the tall floor to ceiling (Dual-Mono) “Vertical Stack Array©™2024” SINGLE POSITION of my latest innovation, that of the speaker “tower” that I have designed, that fits between a floor and a ceiling, to replicate a SINGLE mono floor position, yet outputs nearly DOUBLE the sine wave content, of a single speaker channel’s POWER – via my most recent representation of my 1965 discovered inventive way, to “grab” the true center channel, from 2 completely different 90 degree MONO channels located on directly opposite sides of my massive spherical 3D 3phase 3channel based system.

Which provides not “just” a circular disco room of speakers with “different” sounds issuing from each channel therein, up to 25 that I have tested.

So now I have regressed so to speaker as less is MORE
And thus now use a SINGLE floor positioned TOWER that contains vertical height as well as physical depth, that automatically positions itself, both behind & in front of, the audio listener, wherever they may sit, walk or leave, the immediate area of a SINGLE TOWER of deafeningly different Mono sounds, coming from a very tall multi ch. speaker array

~~~~~~~~~~~~~~

Your ears, brain and most importantly, your expensive stereo speakers will thank you, as speakers cannot “silently maintain” anything going from one to the other, but now, not only do they NOT have anti-phased content, done with reformatting, they don’t even contain the same actual heard content, on each section of the stack, yet they contain all 100% of audio.

The top array is 90 degrees different with respect to it’s sine wave pattern, from the bottom array’s sine waves, yet BOTH combine to add extra LOUDNESS & different content – which (when combined & summated) is used in the absolute center speaker, that also BOOSTS the loudness to somewhat above double what 2ch stereo will provide, at the same amp setting

Using (yes), a MULIPLE SPEAKER, single TALL tower, yet running as if a completely MONO “positional” audio device

I PURPOSEFULLY (attempted) to stop the video from 1way “spinning” as it was, but MAY have screwed up the settings somewhat as it sometimes spins, & at other times it appears as if it has “sand” in the gears (& bearings) which causes it to jerk around, (&/or back) which is possibly better, as then there’s NO hypnotic effect, plus you tend to concentrate more on WHERE various MONO sounds are emanating from, as nothing can actively “float” between any other speaker, and thus MUST be projected towards the visual screen (being the camera lens) as you “listen” with both sides of your brain (via 1 ear each side) when in fact, YOU should “tilt” your headphones to the left to HEAR the tall stack array upright – (which this is supposed to be “played-across”), or PLACE your main stereo speakers “in this orientation” by lifting the large subwoofer, DIRECTLY on top of, the LH speaker, then place the RH speaker, above BOTH, so that your speakers assume the vertical stack “look” – as that way, you will “see” with your two ears, a single wall (or vertical fan) of sound, coming into BOTH of your ears at the same exact time, with no delays, and no crossed-over sweet spot interferences, & no (silent but violent) sonic damage occurring within your speakers..

Ah yes, the Kiwi way of uploading a personally created NEW format sound, inside a MOVIE that should (hopefully) play…

https://www.facebook.com/QUIX4U/videos/1358984581740172